Orff-Schulwerk
Kodály part 1/2
Dalcroze Eurhythmics
All these videos had an active component to them, which I like because children relate to new material better if there is something active to remember it by. The Orff Shculwerk video used the beat as its active component, the students passing their stick to the next person as the beat went on. The Kodaly video also used beat as it's active component with the students making conducting motions with their hands or softly clapping to the beat. The Dalcroze Eurhythmics video had the most active component because the children in it were doing different movements to the beat and also to different rhythm notes the teacher shouted out as he told a story.
In the Orff Schulwerk video the students are chanting a song. While they are singing they are passing sticks to the person next to them and doing so to the beat. After so many counts they pick up the sticks and play out a rhythm on the ground as they continue to sing. I think the movement with the beat here is beneficial because they are learning that everyone needs to stay with the beat to keep the song together. If you pass your stick too early then you throw off that person who throws off the next person and the beat is no longer steady. You can see a couple of times where one would mess up and the song would slow down or sound off.
The video I chose for the Kodaly method came in two parts and was in a completely different language. However, you can clearly see that when they are learning a new song they are starting out easy and working their way up to more complex. It's all about being fluent in the notes, vocally and written. The teacher has the students repeat the new melody numerous times using do-re-mi-so-la. He also has them come to the blackboard and write the rhythm and the notes. When I was learning to play music my band teacher taught us a similar way and I never enjoyed it too much. It was a lot of repetitiveness when you just want to get on to playing and hearing the song in its entirety. I can see how repetitiveness would be beneficial though. That melody really gets stuck in your head when you repeat it. Likewise, when you go to write the notes they stick out clearer in your mind and it becomes easier to write, almost like you can see the melody or rhythm in your head.
The Dalcroze Eurhythmics video was my favorite to watch. I really like how the teacher integrated reading into the lesson by telling a story. The students played out the different parts he read to the beat, but they still had free movement around the room to move however they felt. He also related the different types of notes or musical elements into their movement as well. For example, the children dug into the ground to sixteenth notes the teacher played on the piano and the alarm clock was a forte alarm in which he played a drum loudly to. He gave the students a movement to relate to each musical element and I think that is great experiential learning. The next time the students hear the term sixteenth note they are going to remember that they are fast notes because they dug into the ground fast. The next time they hear the term forte they are going to remember it meant a loud sound because the alarm in the story was loud.




